Rutigliano Vittoriana

Vittoriana was born on 10 Febraury 1971 in Conversano, a town in south of Bari.
Her earliest professional experiences, after the Fine Arts Academy’s graduation got in 1996, are addressed toward the fabric and textile design and the architectural and pictorial restoration.
Subsequently she turns her interest to scenography and the world of theater, by collaborating to the making of “tromp-l’oeil”.
After some years she restarts her academical studies deepening the engraving crafts. She got her final degree in 2009 with a Thesis on …Moda Futurista ………..
In the meanwhile she integrates her artistic training by studing solfeggio and piano, by addressing to score-writing and how to translate it into new visual-aesthetic realities, by devoting to reworking classic musical texts, for a music not only to be listened, but also to be watched.
Her collaborations and presences have been various and manifold, whether in solo or art group-exhibitions.

CRITICAL REVIEW of Guido Corazziari
"Vittoriana Rutigliano, The color of music"
Among the few visual artists to move from pop art, neo-dada and abstract decorative Vittoriana Rutigliano did not fail to put his art in the other great passion, music.
Dada had given legitimacy to the fusion of the senses and genres, and even better then Kandinsky and Stravinsky had deepened, who on one hand and those from other, that world of mutual associations that have united them phonetically, more of the same country provenance.
How can one not also the pioneer of the genre, Sonia Delaunay, who was able to seduce and influence with his "plots" paintings, in fact, worked for the already thriving industry of textiles and fashion, the imaginary of the twentieth century?
To conclude with the great Giuseppe Chiari who died a few years ago.
The only Italian fully inserted in the European movement Fluxus.
Rutigliano is the interpreter, being also an excellent pianist, of the former, but in a more spontaneous a free style, without inhibitions.
What I have seen in the works of Vittoriana is enough for me to feel his soul, his rebellious spirit, conceptual and a little crazy at the same time, the human desire to communicate and so hungry for change, typical of avant-garde.
Just look at the number or the called Quadrigrafia Sciences, where design, music and photo-graphic collages merge into a "fun" color in the sign of dizziness, and seems to appear again the myth of speed, honored by the Futurists, in a new pervasive global ubiquitous, more spiritual and fun.
The name of a great musician, a famous excerpt from pentagrams or his own creation, compose a tribute to tradition, revisited but with irony and slight cockiness, with the 'joy of the game, including colored notes and true color.
In the graphic art and collages in particular arise here is his true nature, unable to choose between image and sound, because they simply love both.
These works are an expression of a modern sensibility and contemporary, made ??to interest and intrigue others.
Among the 'other, perfect for a' engraving or digital print edition and to be "played" during an exhibition.
And Vittoriana Rutigliano, because he could not "pretend" its legacy by continuing this vision of 'art, poetry and made ??the same iconoclastic force, adding that
component of female sexuality that is proper, all in the name of beauty?