D'Auria Marco

Marco D'Auria was born in Rome in 1956 and from an early age show a clear, natural tendency to design.
Finished secondary school, he entered the first art school in Rome, devoting himself to an intense study and explore the 'whole subject area related to this form of expression.
It specializes in drawing, painting, architecture and sculpture, which still represent the cardinal points of its action.
At only 17 years opens at the Palace of Congress before the euro a long series of exhibitions - including personal and collective-tireless work.
Eclectic spirit, animated by an insatiable desire for exploration and research, experimented with various types of techniques, from oil to tempera, acrylic use.
In painting takes great care to landscape the subject, to arrive no later than systematic investigation of the still life, without ever yielding to the irrepressible charm and the lure of the many trends in fashion in the second year of the avant-garde, from abstract to spatial language.
In parallel, in the field of sculpture with clay, creates compelling works in clay, while for years reserve time and space to the exploration of painting on glass.
With this diverse range of activities is stated early in the field of Lazio and not long after around the country, and acquiring great success wherever honors and awards, among which are: "St. John the trophy," shows the "cultural circle Enars -ACLI, "Eur ten Grand Prix News", "contemporary art exhibition gallery" La Caravella "," Anzio Trophy 1977 "," encounter art and industry, "the second exhibition" free art for freedom of information (promoted by the magazine of the nations "," arts and television "," V Biennial of Monterotondo, "shows" the painting and sculpture of the Year "," show the hotel Savoy ", exhibition at" Art cafe friends' ", to name a few.

CRITICAL REVIEW
With D'Auria we are dealing with an artist's prophetic, seeing that the tragedy of the bond between human and divine torn knows entrust aspects to documents that become amazing works of 'humanity in which he appears to treat the tradition, aimed at the same time, a modern perspective, both in formal structures, with particular emphasis on plasticity, which in the office concept.
Finally, in this its already vast and multifaceted production, special mention must be given to the evocative theme of the dance , very near and dear to him, having practiced in his youth, which makes an artist absolutely "on generis" to interpretative abilities in being able to fix on the canvas with great skill, the basic dynamic movement , in a wonderful dream in which synthesis, even through the materiality of the instruments and the decision of the tract, is able to recreate the vibrant economic dynamism, as well as to offer the viewer an idea and impose comprehensive space-time, the essential physical elements in which the dance unfolds.
This peculiarity , does not mind that at times vague, veiled reminiscences of a maverick Lautrec, and its exclusive, unique relationship with the pictorial language, denote, even in the complexity of the implementation matures, an astonishment and an ability to achieve the essential characteristic of ' sensitivity naive child, a feeling, assisted by the desire to live to reach new and bolder goals, cheering him on, now, to experience new relationships with the musicality of the word and to give serious of the wonderful exploration and fantasy in this' last meritorious effort and 'the unequivocal eloquent witness.